Later on, Sturken and Cartwright point out that although we know that photos have the option to be altered, we usually have "the shared belief that photographs are objective or truthful records of events" (18). The most obvious example that came to my mind was that of models and fashion. Magazine covers and photo shoots of celebrities are always altered. America has especially looked to these images, which many people know are altered, to attain a standard for themselves. This ideal is highly unrealistic, and it causes many young girls to look to eating disorders to attain this extremely skinny appearance. This is another example of an action that is sparked by an image.
It is also mentioned that during the OJ Simpson case, both Time magazine and Newsweek reproduced Simpson's mugshot as their cover. Newsweek placed an unedited mugshot on their cover while Time "heightened the contrast and darkened Simpson's skin tone" (25). I thought it was particularly interesting that Time would not allow the authors to reproduce the cover image in their book, while Newsweek did. To me, that seems like they are realizing that they should not have done that, but it has taken them a while to figure that out. What do you think? Should magazines be allowed to photoshop their covers? If so, should they have to declare it in their magazine? If not, why not? What benefits and costs would that have to the public?
Towards the end, the authors discussed how a piece of art's value is "determined by economic and cultural factors" (34). They then go on to discuss Van Gogh's work as well as Pollock's. I thought it was incredibly interesting that they questioned why Van Gogh's paintings were in 1991, while when he was still alive, he never made any money off of them. The people during his time did not want to see his art because it was not the style back then. Today, however, it is a different story.
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