In chapter 3, "Point of View", of John Douglass and Glenn Harnden's The Art of Technique, the different points of view in literary form as well as film are discussed. One of the first things that are pointed out, is that "POV refers to a camera shot taken as if seen through the eyes of a character" (31). This made me think of a movie that I had recently watched, Psycho. In it, there are several scenes which take on the point of view from the main character, Marion, as well as different opposing viewpoints. The money that she has stolen, for example, takes on a point of view role as well as Norman Bates, the owner of the motel that she stays at later in the film. The first example of this that I notices, was in the scene where Marion is packing. The audience takes on her point of view, but as the camera shows the money, it then portrays the money's point of view. It looks from the bags that Marion is packing to her. The audience sees what is happening from that point of view instead of Marion's. Another example would be when Marion first stays at the motel. After she gets settled in, the audience takes on the point of view of Norman as he peeps through a hole in the wall to look at Marion. The audience thereby takes on his point of view.
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